Finding success as an independent artist is not nearly as complicated as most of us want it to be.
Much like any other business, there are some primary truths that are required to turn the dream of being an independent artist into a reality.
First, the fundamentals: have a great product that people want and tell them about it.
Everything else is secondary.
For us, this means making great music and making sure people know about that great music so they can enjoy it.
At its core, it really is that simple.
But simple doesn’t mean easy. In fact, I would argue succeeding in music is far more difficult than many other industries.
When everyone and their brother wants to be an artist, it’s tough to fight through the noise and be heard.
But no one is going to be heard by overcomplicating the process. If anything, overcomplicating it is simply going to serve to make the journey that much more difficult.
Let’s simplify it so we can win.
Release more music
None of us are releasing enough music.
Including me.
The most successful independent artists of today are releasing a new song around every two weeks.
That’s a lot of output, no doubt, but it works.
If you can drop a new track every other Friday and do that for an extended period of time, you’ll win. If you can’t churn out music that fast, aim for once per month or once every six weeks.
Consistency is everything here.
The more music we release, the more opportunities we have to find a winning song, and a winning song lifts the whole catalog.
It’s been said a thousand different ways, but all it takes is one song to change your life, and the fastest way to get there is to release a lot of music.
And what’s more, with every song you release, the better you get at making music in the first place, so the quality of your art will improve as a natural byproduct of simply doing the work.
Release more music.
Create more content
Succeeding as an independent artist is about building a loyal fanbase of people who love what you do and want to enjoy the work you create.
But you have to find them first.
Creating content, especially short-form videos on TikTok, Instagram Reels, and YouTube Shorts, is the surest way to find and build that fanbase.
Nothing else accomplishes this like creating and sharing authentic content online, not even ads and certainly not playlists (more on that later).
Content is king right now. It hasn’t always been this way, and it may not always be this way, but it is right now, and to win, you have to play the game du jour.
Just like with music, the more content you create and post, the better you’ll get at it as a natural byproduct of simply doing the work.
Create more content.
Ignore playlists
Pitching to playlists is so bad y’all.
Seriously, please stop pitching your music to playlists, especially the user-generated ones.
All they do is destroy your data on Spotify and make it impossible for your music to find the people who would actually like it.
I can’t tell you how many artists I’ve worked with who started by pitching their music to playlists only to have their entire account on Spotify absolutely wrecked in the process.
And it is a long, slow slog of a process to undo that damage.
No one is finding lifelong fans from playlists, and no one is hacking their way to an actual career in music by pitching to playlist curators.
The whole system is payola and should be avoided like the plague.
*Pauses to catch breath before continuing rant
I’ve danced around this subject for years now and have always tried to take a middle-of-the-road approach to the idea that there are some obvious exceptions to this conclusion, but with each passing day and with every artist I help, I am faced with more and more evidence that playlisting is an absolute waste of time and money.
The only playlists that are even marginally worth considering are those created by Spotify, whether algorithmically or editorially (read: also algorithmically).
But even those aren’t worth planning your whole release strategy around.
Release music on a Friday to capture Release Radar for your followers, push hard to reach Discover Weekly, and let the rest take care of itself.
Seriously, if you only take one thing from this, please don’t ever pitch your music to playlist curators ever again.
Please don’t.
Please.
Don’t.
Run paid ads… sometimes
If you’re ever gonna pay to market your music, run ads, but don’t spend your money anywhere else.
Having said that, ads should always serve as a supplement to a highly effective content strategy, not a replacement for it.
I’m a prime example of this. I was going hard on all fronts with my content until a few months ago, but, like many others (and like myself in the past), I hit a bit of burnout and took a step back, notably on short-form content.
But my ad strategy has remained consistent, both alongside regular content and without it, so I have a great dataset of what both sides of this coin can look like in 2023.
And, surprise, surprise, my growth has fallen off without a regular content strategy as an artist, despite my ads constantly running in the background.
Also, it’s worth mentioning that I haven’t released new music since February of this year (a testament to point #1).
So ads aren’t the whole game, but they are definitely the only paid game worth playing.
Ads are an effective way to supplement your time by spending a little money (a great reason for this is if you have a full-time job, family, etc., and can’t live on the internet), but the reality is that creating great content is just so much more effective.
So run ads, but try not to make ads the only game you play.
Be careful who you listen to
Alright, I’m choosing violence on this one, I’ll admit it, but I am continually shocked at who artists will listen to in the music marketing space.
YouTube can be bad, but the TikTok gurus are worse.
This isn’t an attempt to throw shade at specific people (DYOR), but I just have a heart to see independent artists succeed, and it’s difficult to watch so many take advice from people who have zero experience practicing what they preach.
Let me ask you, would you take fitness or nutrition advice from someone who is out of shape and eats like garbage?
Would you take relationship advice from someone who is perpetually single or constantly breaking up with their boyfriend or girlfriend?
No?
Then why would you take music career advice from someone who has never been an artist and never released music of their own in their life?!
As Mike Tyson famously said, “Everyone has a plan until they get punched in the mouth.”
Succeeding in music is a fight, a constant back and forth of getting punched in the mouth (releases falling flat, getting told no, burning out) and throwing punches of your own (dropping new music, making great content, testing new ads until you find a winner), and no one can ever understand just how that feels or how to navigate that without actually doing it.
Dude, anyone can buy a ring light, stick a fake plaque in the background, and tell someone else what to do with their career, but you cannot fake a proven track record of actually putting out music and creating assets to promote it.
Seriously, you can look all this up. Just 5-10 minutes of digging through someone’s content on social media or their release history on Spotify (if they even have an artist profile 🙄) will tell you whether or not they have any level of experience practicing what they preach.
Please don’t take advice from someone who has never taken a punch in their life.
Even if that means not listening to me because I haven’t released enough of my own material to suit you, switch the dial and find someone you do believe is worth listening to.
Just do your own research and be truly selective about whose advice you take.
Finding success as an independent artist is not nearly as complicated as most of us want it to be.
Much like any other business, there are some primary truths that are required to turn the dream of being an independent artist into a reality.
First, the fundamentals: have a great product that people want and tell them about it.
Everything else is secondary.
For us, this means making great music and making sure people know about that great music so they can enjoy it.
At its core, it really is that simple.
But simple doesn’t mean easy. In fact, I would argue succeeding in music is far more difficult than many other industries.
When everyone and their brother wants to be an artist, it’s tough to fight through the noise and be heard.
But no one is going to be heard by overcomplicating the process. If anything, overcomplicating it is simply going to serve to make the journey that much more difficult.
Let’s simplify it so we can win.
Release more music
None of us are releasing enough music.
Including me.
The most successful independent artists of today are releasing a new song around every two weeks.
That’s a lot of output, no doubt, but it works.
If you can drop a new track every other Friday and do that for an extended period of time, you’ll win. If you can’t churn out music that fast, aim for once per month or once every six weeks.
Consistency is everything here.
The more music we release, the more opportunities we have to find a winning song, and a winning song lifts the whole catalog.
It’s been said a thousand different ways, but all it takes is one song to change your life, and the fastest way to get there is to release a lot of music.
And what’s more, with every song you release, the better you get at making music in the first place, so the quality of your art will improve as a natural byproduct of simply doing the work.
Release more music.
Create more content
Succeeding as an independent artist is about building a loyal fanbase of people who love what you do and want to enjoy the work you create.
But you have to find them first.
Creating content, especially short-form videos on TikTok, Instagram Reels, and YouTube Shorts, is the surest way to find and build that fanbase.
Nothing else accomplishes this like creating and sharing authentic content online, not even ads and certainly not playlists (more on that later).
Content is king right now. It hasn’t always been this way, and it may not always be this way, but it is right now, and to win, you have to play the game du jour.
Just like with music, the more content you create and post, the better you’ll get at it as a natural byproduct of simply doing the work.
Create more content.
Ignore playlists
Pitching to playlists is so bad y’all.
Seriously, please stop pitching your music to playlists, especially the user-generated ones.
All they do is destroy your data on Spotify and make it impossible for your music to find the people who would actually like it.
I can’t tell you how many artists I’ve worked with who started by pitching their music to playlists only to have their entire account on Spotify absolutely wrecked in the process.
And it is a long, slow slog of a process to undo that damage.
No one is finding lifelong fans from playlists, and no one is hacking their way to an actual career in music by pitching to playlist curators.
The whole system is payola and should be avoided like the plague.
*Pauses to catch breath before continuing rant
I’ve danced around this subject for years now and have always tried to take a middle-of-the-road approach to the idea that there are some obvious exceptions to this conclusion, but with each passing day and with every artist I help, I am faced with more and more evidence that playlisting is an absolute waste of time and money.
The only playlists that are even marginally worth considering are those created by Spotify, whether algorithmically or editorially (read: also algorithmically).
But even those aren’t worth planning your whole release strategy around.
Release music on a Friday to capture Release Radar for your followers, push hard to reach Discover Weekly, and let the rest take care of itself.
Seriously, if you only take one thing from this, please don’t ever pitch your music to playlist curators ever again.
Please don’t.
Please.
Don’t.
Run paid ads… sometimes
If you’re ever gonna pay to market your music, run ads, but don’t spend your money anywhere else.
Having said that, ads should always serve as a supplement to a highly effective content strategy, not a replacement for it.
I’m a prime example of this. I was going hard on all fronts with my content until a few months ago, but, like many others (and like myself in the past), I hit a bit of burnout and took a step back, notably on short-form content.
But my ad strategy has remained consistent, both alongside regular content and without it, so I have a great dataset of what both sides of this coin can look like in 2023.
And, surprise, surprise, my growth has fallen off without a regular content strategy as an artist, despite my ads constantly running in the background.
Also, it’s worth mentioning that I haven’t released new music since February of this year (a testament to point #1).
So ads aren’t the whole game, but they are definitely the only paid game worth playing.
Ads are an effective way to supplement your time by spending a little money (a great reason for this is if you have a full-time job, family, etc., and can’t live on the internet), but the reality is that creating great content is just so much more effective.
So run ads, but try not to make ads the only game you play.
Be careful who you listen to
Alright, I’m choosing violence on this one, I’ll admit it, but I am continually shocked at who artists will listen to in the music marketing space.
YouTube can be bad, but the TikTok gurus are worse.
This isn’t an attempt to throw shade at specific people (DYOR), but I just have a heart to see independent artists succeed, and it’s difficult to watch so many take advice from people who have zero experience practicing what they preach.
Let me ask you, would you take fitness or nutrition advice from someone who is out of shape and eats like garbage?
Would you take relationship advice from someone who is perpetually single or constantly breaking up with their boyfriend or girlfriend?
No?
Then why would you take music career advice from someone who has never been an artist and never released music of their own in their life?!
As Mike Tyson famously said, “Everyone has a plan until they get punched in the mouth.”
Succeeding in music is a fight, a constant back and forth of getting punched in the mouth (releases falling flat, getting told no, burning out) and throwing punches of your own (dropping new music, making great content, testing new ads until you find a winner), and no one can ever understand just how that feels or how to navigate that without actually doing it.
Dude, anyone can buy a ring light, stick a fake plaque in the background, and tell someone else what to do with their career, but you cannot fake a proven track record of actually putting out music and creating assets to promote it.
Seriously, you can look all this up. Just 5-10 minutes of digging through someone’s content on social media or their release history on Spotify (if they even have an artist profile 🙄) will tell you whether or not they have any level of experience practicing what they preach.
Please don’t take advice from someone who has never taken a punch in their life.
Even if that means not listening to me because I haven’t released enough of my own material to suit you, switch the dial and find someone you do believe is worth listening to.
Just do your own research and be truly selective about whose advice you take.
Finding success as an independent artist is not nearly as complicated as most of us want it to be.
Much like any other business, there are some primary truths that are required to turn the dream of being an independent artist into a reality.
First, the fundamentals: have a great product that people want and tell them about it.
Everything else is secondary.
For us, this means making great music and making sure people know about that great music so they can enjoy it.
At its core, it really is that simple.
But simple doesn’t mean easy. In fact, I would argue succeeding in music is far more difficult than many other industries.
When everyone and their brother wants to be an artist, it’s tough to fight through the noise and be heard.
But no one is going to be heard by overcomplicating the process. If anything, overcomplicating it is simply going to serve to make the journey that much more difficult.
Let’s simplify it so we can win.
Release more music
None of us are releasing enough music.
Including me.
The most successful independent artists of today are releasing a new song around every two weeks.
That’s a lot of output, no doubt, but it works.
If you can drop a new track every other Friday and do that for an extended period of time, you’ll win. If you can’t churn out music that fast, aim for once per month or once every six weeks.
Consistency is everything here.
The more music we release, the more opportunities we have to find a winning song, and a winning song lifts the whole catalog.
It’s been said a thousand different ways, but all it takes is one song to change your life, and the fastest way to get there is to release a lot of music.
And what’s more, with every song you release, the better you get at making music in the first place, so the quality of your art will improve as a natural byproduct of simply doing the work.
Release more music.
Create more content
Succeeding as an independent artist is about building a loyal fanbase of people who love what you do and want to enjoy the work you create.
But you have to find them first.
Creating content, especially short-form videos on TikTok, Instagram Reels, and YouTube Shorts, is the surest way to find and build that fanbase.
Nothing else accomplishes this like creating and sharing authentic content online, not even ads and certainly not playlists (more on that later).
Content is king right now. It hasn’t always been this way, and it may not always be this way, but it is right now, and to win, you have to play the game du jour.
Just like with music, the more content you create and post, the better you’ll get at it as a natural byproduct of simply doing the work.
Create more content.
Ignore playlists
Pitching to playlists is so bad y’all.
Seriously, please stop pitching your music to playlists, especially the user-generated ones.
All they do is destroy your data on Spotify and make it impossible for your music to find the people who would actually like it.
I can’t tell you how many artists I’ve worked with who started by pitching their music to playlists only to have their entire account on Spotify absolutely wrecked in the process.
And it is a long, slow slog of a process to undo that damage.
No one is finding lifelong fans from playlists, and no one is hacking their way to an actual career in music by pitching to playlist curators.
The whole system is payola and should be avoided like the plague.
*Pauses to catch breath before continuing rant
I’ve danced around this subject for years now and have always tried to take a middle-of-the-road approach to the idea that there are some obvious exceptions to this conclusion, but with each passing day and with every artist I help, I am faced with more and more evidence that playlisting is an absolute waste of time and money.
The only playlists that are even marginally worth considering are those created by Spotify, whether algorithmically or editorially (read: also algorithmically).
But even those aren’t worth planning your whole release strategy around.
Release music on a Friday to capture Release Radar for your followers, push hard to reach Discover Weekly, and let the rest take care of itself.
Seriously, if you only take one thing from this, please don’t ever pitch your music to playlist curators ever again.
Please don’t.
Please.
Don’t.
Run paid ads… sometimes
If you’re ever gonna pay to market your music, run ads, but don’t spend your money anywhere else.
Having said that, ads should always serve as a supplement to a highly effective content strategy, not a replacement for it.
I’m a prime example of this. I was going hard on all fronts with my content until a few months ago, but, like many others (and like myself in the past), I hit a bit of burnout and took a step back, notably on short-form content.
But my ad strategy has remained consistent, both alongside regular content and without it, so I have a great dataset of what both sides of this coin can look like in 2023.
And, surprise, surprise, my growth has fallen off without a regular content strategy as an artist, despite my ads constantly running in the background.
Also, it’s worth mentioning that I haven’t released new music since February of this year (a testament to point #1).
So ads aren’t the whole game, but they are definitely the only paid game worth playing.
Ads are an effective way to supplement your time by spending a little money (a great reason for this is if you have a full-time job, family, etc., and can’t live on the internet), but the reality is that creating great content is just so much more effective.
So run ads, but try not to make ads the only game you play.
Be careful who you listen to
Alright, I’m choosing violence on this one, I’ll admit it, but I am continually shocked at who artists will listen to in the music marketing space.
YouTube can be bad, but the TikTok gurus are worse.
This isn’t an attempt to throw shade at specific people (DYOR), but I just have a heart to see independent artists succeed, and it’s difficult to watch so many take advice from people who have zero experience practicing what they preach.
Let me ask you, would you take fitness or nutrition advice from someone who is out of shape and eats like garbage?
Would you take relationship advice from someone who is perpetually single or constantly breaking up with their boyfriend or girlfriend?
No?
Then why would you take music career advice from someone who has never been an artist and never released music of their own in their life?!
As Mike Tyson famously said, “Everyone has a plan until they get punched in the mouth.”
Succeeding in music is a fight, a constant back and forth of getting punched in the mouth (releases falling flat, getting told no, burning out) and throwing punches of your own (dropping new music, making great content, testing new ads until you find a winner), and no one can ever understand just how that feels or how to navigate that without actually doing it.
Dude, anyone can buy a ring light, stick a fake plaque in the background, and tell someone else what to do with their career, but you cannot fake a proven track record of actually putting out music and creating assets to promote it.
Seriously, you can look all this up. Just 5-10 minutes of digging through someone’s content on social media or their release history on Spotify (if they even have an artist profile 🙄) will tell you whether or not they have any level of experience practicing what they preach.
Please don’t take advice from someone who has never taken a punch in their life.
Even if that means not listening to me because I haven’t released enough of my own material to suit you, switch the dial and find someone you do believe is worth listening to.
Just do your own research and be truly selective about whose advice you take.
Whenever you're ready, there are four ways I can help you:
Subscribe to the Newsletter: Join our growing network of artists, creators, and entrepreneurs by receiving The One Thing directly to your inbox every week.
Book a Consultation: Schedule a one-on-one call with me to improve your marketing across paid advertising, social media, and more.
The Spotify Traffic Accelerator: Join the hundreds of artists who have successfully learned to automate their growth on Spotify using paid ads on Instagram.
Become a DuPree X Artist: Hire our team to manage your marketing across streaming platforms and social media so you can focus on what matters most—making music.
Whenever you're ready, there are four ways I can help you:
Subscribe to the Newsletter: Join our growing network of artists, creators, and entrepreneurs by receiving The One Thing directly to your inbox every week.
Book a Consultation: Schedule a one-on-one call with me to improve your marketing across paid advertising, social media, and more.
The Spotify Traffic Accelerator: Join the hundreds of artists who have successfully learned to automate their growth on Spotify using paid ads on Instagram.
Become a DuPree X Artist: Hire our team to manage your marketing across streaming platforms and social media so you can focus on what matters most—making music.
Whenever you're ready, there are four ways I can help you:
Subscribe to the Newsletter: Join our growing network of artists, creators, and entrepreneurs by receiving The One Thing directly to your inbox every week.
Book a Consultation: Schedule a one-on-one call with me to improve your marketing across paid advertising, social media, and more.
The Spotify Traffic Accelerator: Join the hundreds of artists who have successfully learned to automate their growth on Spotify using paid ads on Instagram.
Become a DuPree X Artist: Hire our team to manage your marketing across streaming platforms and social media so you can focus on what matters most—making music.